Box 5
Contains 9 Results:
Sunbathers, 2002
This file contains a postcard and catalog for an exhibition entitled, Sunbathers, by visual artists Heather Ackroyd and Dan Harvey at Canolfan y Celfddydau Aberystwyth Arts Centre.
IMA 230
GhostCom, 2009
This file contains documents related to the production of an interactive audiogame entitled GhostCom as well as the main device for the game, two lab coats, and a strap/case and pin, created by David Mickey. IMA 248
Intimacies, 2011
This file contains a publication documenting the 2011 California Institute of the Arts MFA Graduate Exhibition which ran June 25-July 10, 2011 at the Farley Building in Los Angeles.
IMA 275
Concrete Folk Variations, 2008
This postcard is an event announcement for the first of a series of puppet plays, written and directed by Susan Simpson, performed at the Manual Archives (a project of Automata).
IMA 245
WordMoves, 2014
This file contains the title card for a group class project, a performative card game called WordMoves, developed for Tyler Calkin's "Contexts for Interaction, Performance, and Play" course.
By Pilar Gallego, Jesse Garrison, Brittany Kyle, Zhi-fang Li, Rusty Van Riper, Ming-Hwei Carol Sun, and Yao Zhang.
IMA 268
Siggraph, 2001, undated
This file contains a press release, clippings, and other promotional materials related to the 2001 Siggraph Convention, an annual conference on computer graphics. IMA 194
Temples of the Mind, 2009-2010
This is an announcement for Emily Lacy's series of performances as part of her tenure as an Artist-in-Residence at LACMA. IMA 262
Integrated Media Show slides, 1997
This file contains approximately 120 slides from the 1997 Integrated Media Show (which was also called the Intermedia Arts Show). IMA 121, 123-128.
The (Re)Structured Screen: Conversations on the New Moving Image, 2002
This file contains event announcements, correspondence, and materials related to the 2002 Eyebeam/CalArts Moving Image Forum, "The (Re)Structured Screen," a series of online conversations that explored the language, narrative structures, unique environments, and politics of the moving image.
IMA 202, 237